![]() ![]() He spends his days drifting idly through school while his evenings alternate between visiting his dying father in hospital and practicing with his band. In 1990, Tits (Tittensor) is a young man living in a working class area of Manchester known as "The Red Bricks". Despite the film having a few redeeming moments throughout, one may wonder through all of this how long it will be until a similar film revolving around Radiohead or The Smiths appears. The new adult generation desperately wants to relive the Cool Britannia period of the late nineties with Britpop, Camden Street, etc as it was in the supposed glory days and it seems that the early 90s Manchester movement has now also fallen victim to this nostalgia craze. These modernized period pieces have been occurring a lot in the past few years with England wishing to re-live the nineties and late eighties being one of the biggest aggressors of this. ![]() The plot line is fairly simple five lads can't get tickets to The Roses' seminal Spike Island gig so they decide to journey there anyway and get in any way possible as Elliott Tittensor falls head-over-heels for Game Of Thrones' very own Khaleesi Targaryen dragon queen Emilia Clarke who portrays Sally Harris with the film taking an unexpected turn into a romance after the Spike Island chapter closes with Tittensor and Clarke's characters surprisingly remaining together by the time the film ends without any fights going on between them although the same cannot be said for Tits and Nico Mirallegro's character Dodge. The film for the most part takes place in Manchester in the Spring of 1990 when the Roses were at their cultural zenith which is shown by the clothes, the imitations of John Squire's paintings and the fact that almost every male character in the film has either Ian Brown's or John Squire's haircuts with Reni's hats making frequent appearances. First off the film tries to set itself up as an established coming-of-age flick in a style not unlike parts of The Breakfast Club with the Roses' music acting as the supporting story arc to drive things forward. I had been expecting a tribute film of The Stone Roses for quite a few years now after finding out their astounding influence, but Spike Island definitely threw me for a curve-ball. I always strongly suspected that old John Dwyer composed the tune himself, but was shy (like all the Dwyers were) about claiming credit for it, but his son John confirmed it to my sisters when we were playing on a TV programme together in 2019.From 1988 to 1991, The Stone Roses re-defined British guitar music in a way that has made every band since their halcyon days have a bit of the Roses' blood in their music. However, there seems to be no record of Liam Walsh ever playing it and no references to the tune before the mid-20th-century. He told him that he learned it from the well-known Waterford piper Liam Walsh, with whom he was interned in the jail on Spike Island in Cork Harbour during the War of Independence. The latter’s cousin Sean O’Dwyer tells me that he remembers first learning it from his Uncle John around 1958. “The source for the tune “The Spike Island Lasses" was old John Dwyer from Caolrua, near Eyeries, on the Beara Peninsula in West Cork - father of the late fiddle-player and tune-composer John Dwyer. ![]()
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